![]() ![]() In the Paths panel, there will be a Work Path created from the path. Located beside the Layer panel to the right of your canvas workspace.Īlternatively, head to the top menu bar and select Windows > Paths. Now, we need to change the path line to an active selection. To close the path, hover the mouse over the first anchor point until a circle sign appears.Ĭlick on the first anchor point, and the path line will be completed. This part of the selection doesn’t have to be perfectly accurate, but make sure to include all areas of the exposed neck and bordering clothes. To do this, add new anchor points below the chin path line. We will surround and enclose the chin area with an active path selection. Stick to the natural look as much as possible. Try not to create a new look jawline as this will draw attention to the chin area. When you click the anchor point, it will be deleted, and the pathline will adjust to compensate for the deleted anchor point. If you make an error, simply hover the mouse over the anchor point until a minus sign appears. This will help you create a more intricate pathline to follow the jawline above the model’s double chin accurately. As you drag the anchor point, the path line will curve. Hold down the Command key (for Macs) or the Ctrl key (for Windows) and drag the anchor point downwards or upwards. When you add extra anchor points to the path line, you have the editing bonus of being able to drag the anchor point to curve the line (you can’t do this with anchor points that crate the line). When a plus sign appears, click on the pathline, and an anchor point will be added. To add more anchor points to the line, hover the mouse over the line where there is no anchor point. Once the extra points have been created, they can be dragged into the correct position to improve the chin line. To do this, an option is to add extra anchor points along the curve. If the pathline does not snuggly follow the outline of the jaw, you can refine it. You will now have a curve outlining the chin, below which lies the double chin waiting to be removed. It is important to create a chin line that looks as natural as possible and is also similar to the subject’s jawline. As you drag the cursor, you will see the pathline curve. To refine the curve, drag the individual handlebar to achieve the desired curve. As you do so, handlebars will appear.ĭrag the handles, and the path line will curve, as you can see in the image below. To curve the path line, hold down the Option key and hover the cursor over the anchor point positioned between the lines you wish to curve.Īn arrow symbol will appear click on the anchor point and drag across the canvas. Now click on the very edge of the chin line, near the neck, to create the first anchor point.įrom here, we will add an anchor point at the bottom of the chin to define the outline of the jaw.Īdd the last anchor point on the opposite side of the neck, where the jawline finishes.Īs you can see in the image below, three anchor points have been added using the Pen tool.Īt this point, the path line is only a rough indication of where the active selection area will be. Check here that the Pen mode is set to Path. The Pen tool’s option bar will open above the canvas. Select the Pen tool from the toolbar or hit P for the keyboard shortcut. The best way to make a specific selection is to create a path using the Pen tool. Create a Pathįirst, we will create an active selection to isolate the chin area. Ok, let’s check out how to remove double chins. ![]() To zoom in, use Command plus – (for Macs) or Ctrl plus – (for Windows). To zoom in quickly, use Command plus + (for Macs) or Ctrl plus + (for Windows). When touching up Photos in Photoshop, we often have to swap from a close-up view to a zoomed-out view to see how the edit looks. Before We Startīefore we get started, let’s run over the keyboard shortcut to zoom in and out. The Wrap Transform tool to transform the shape of the chin and the Eraser tool to touch up and refine the result. The following technique involves using the Pen tool to create a selection path for the chin area. One thing is definite: we don’t want to have a touch-up that looks obviously photoshopped. We always aim to remove the subject’s double chin without distorting their natural look. If there are complicated shadows, wrinkles, blemishes, or angles, more involved editing is required. Some chins are easier to remove than others, but no chin is impossible to remove. ![]() With Photoshop magic, removing chins is a simple procedure. You only have to scrunch your chin in the wrong direction when the shutter is hit, and viola, you’ve won a double. How to Remove a Double Chin in Photoshop in 11 Easy StepsĮven the slimmest of us are prone to the odd snap with a double chin.
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